It is both the receptacle and the source of the most extravagant dreams, utopias and urban theories. The comic strip is in search of space and time through constructed imaginary worlds and, thanks to subtle and inventive processes, it goes beyond the limits of a fixed page. The backbone of the scenography consists of a sensitive membrane running along the continuous peripheral walls. Like a long page, it unfolds its stories. It is stretched up and down along rails parallel to the undulations. It is then pulled and pushed by the exhibition supports carried by a network of scaffolding in the background. In recesses or extruding, these ‘elastic’ movements form an ‘inhabited’ relief generating a series of interiorities. Printed with images or information, this stretched membrane is a mediating ‘organ’.