Louvre Museum

Le Louvre, un palais, un musée, une cité
Pour le renouveau des parcours romain et byzantin, nous nous inspirons des trois dimensions du Louvre : le Palais, le Musée et la Cité. Cette vision réinvente le musée comme une cité vivante, où visiteurs et œuvres interagissent dans une scénographie fluide et continue. En pensant le Louvre comme une ville, nous créons des connexions entre les espaces, en intégrant des moments de rencontre et de pause, tout en prenant en compte le phénomène d’hyper-fréquentation.

Une scénographie relationnelle
Notre approche met en scène des relations entre les œuvres et les visiteurs. Nous privilégions des dispositifs qui favorisent la proximité et la contemplation, à travers des compositions immersives et des dialogues visuels. Le mobilier muséographique est à la fois sobre et modulable, offrant une continuité visuelle tout en s’adaptant aux spécificités des salles romaines et byzantines

Projet Projectiles Parcours-Romain Le Louvre

Médiation immersive et innovante
La médiation, élément clé de l’expérience, est stratifiée en cinq niveaux pour enrichir la rencontre avec l’œuvre. Nous introduisons des dispositifs interactifs et immersifs, comme des liseuses intégrées et des mobiliers-écrans, tout en valorisant la médiation humaine au cœur de cette transformation.

RAPHAEL Cour visconti - Le Louvre - Projectiles

The Louvre, a palace, a museum, a city
For the renewal of the Roman and Byzantine routes, we drew our inspiration from the three dimensions of the Louvre: the Palace, the Museum and the City. This vision reinvents the museum as a living city, where visitors and works interact in a fluid and continuous scenography. By thinking of the Louvre as a city, we create connections between spaces, incorporating moments for meeting and pausing, while taking into account the phenomenon of hyper-frequentation.

A relational scenography
Our approach creates relationships between the works and visitors. We favour installations that encourage proximity and contemplation, through immersive compositions and visual dialogues. The museographic furniture is both sober and modular, offering visual continuity while adapting to the specific features of the Roman and Byzantine rooms.

Immersive and innovative media
Mediation, a key element of the experience, is stratified into five levels to enrich the encounter with the work. We are introducing interactive and immersive devices, such as integrated reading devices and screen furniture, while at the same time emphasising the value of human mediation at the heart of this transformation.

Recycling and sustainability
As a tribute to the Palais' heritage, the furniture incorporates reused materials, in particular marble bases and blocks from the museum's reserves. This ecological approach gives new life to historic materials, reinforcing the sustainability of the project.

This project, covering 6,100 m² of space, aims to offer a new and sustainable vision of the Louvre, where the museum experience becomes an aesthetic, immersive and relational journey.

RAPHAEL - Manege - Le Louvre - Projectiles

RAPHAEL Grande Galerie - Le Louvre - Projectiles

Project
The Louvre Museum, scenographic tour

Location
Paris, France

Tender
Public

Surface
5560 m2

Team
Projectiles, architect (lead) and scenographer
Isabelle Raymond, base
Des signes, graphic design and signage
Labeyrie & Associés, digital multimedia equipment
Abraxas, lighting design
Studio Jouan, acoustics
Pat VKX, preventive conservation
BMF, economist
Arte Factory, BJ Grange, perspective architects

Client
Public institution of the Louvre Museum

Phases
Competition, ranked second

Recycling and sustainabilityAs a tribute to the Palais' heritage, the furniture incorporates reused materials, in particular marble bases and blocks from the museum's reserves. This ecological approach gives new life to historic materials, reinforcing the sustainability of the project.

Recycling and sustainability
As a tribute to the Palais' heritage, the furniture incorporates reused materials, in particular marble bases and blocks from the museum's reserves. This ecological approach gives new life to historic materials, reinforcing the sustainability of the project.