The Louvre, a palace, a museum, a city
For the renewal of the Roman and Byzantine routes, we drew our inspiration from the three dimensions of the Louvre: the Palace, the Museum and the City. This vision reinvents the museum as a living city, where visitors and works interact in a fluid and continuous scenography. By thinking of the Louvre as a city, we create connections between spaces, incorporating moments for meeting and pausing, while taking into account the phenomenon of hyper-frequentation.

A relational scenography
Our approach creates relationships between the works and visitors. We favour installations that encourage proximity and contemplation, through immersive compositions and visual dialogues. The museographic furniture is both sober and modular, offering visual continuity while adapting to the specific features of the Roman and Byzantine rooms.

Immersive and innovative media
Mediation, a key element of the experience, is stratified into five levels to enrich the encounter with the work. We are introducing interactive and immersive devices, such as integrated reading devices and screen furniture, while at the same time emphasising the value of human mediation at the heart of this transformation.

Recycling and sustainability
As a tribute to the Palais' heritage, the furniture incorporates reused materials, in particular marble bases and blocks from the museum's reserves. This ecological approach gives new life to historic materials, reinforcing the sustainability of the project.

This project, covering 6,100 m² of space, aims to offer a new and sustainable vision of the Louvre, where the museum experience becomes an aesthetic, immersive and relational journey.